This tree was already at the nursery when I first arrived last year. I had hoped from the beginning that eventually I’d be allowed to wire it, but I figured it’d be out of the question, at least before my first full year had passed. Luckily I didn’t have to wait that long. The tree took a few short days to finish, and I think it turned out pretty nice. Comments/critiques are welcome. Also, more before/after pics can be found on my website bjorvalabonsai.com.
A regular customer came to the nursery yesterday to check out the new arrivals before everything gets shipped up to Tokyo for the Kokufu-ten. He saw the Zuisho I recently wired and immediately started jumping up and down in excitement…not because he was impressed with my work, but because he said he knew the tree from over 25 years ago! He began flipping through the Taikan-ten books and found the same Zuisho in the 6th album (printed 22 years ago). Then he frantically searched through the Kokufu-ten books and found the tree again in the 72nd album (printed 11 years ago) as it was wired by Masahiko Kimura. The picture below on the far left is the same Zuisho from the 6th annual Taikan-ten, the middle picture is from the 72nd Kokufu-ten, and the picture on the very bottom was taken after my most recent attempt to wire the tree.
Mr. Fujikawa recently came back from a buying trip to Saitama with this massive Zuisho riding in the backseat. I immediately asked if I could have a go at it, and after a bit of coercing, convinced Mr. Fujikawa I could handle it. I was actually given a choice of either working on this tree or going up to Tokyo the next day to help with the Shinsa (Kokufu-ten pre-judging event). In the end I decided it was best not to pass up the opportunity this bonsai presented and skipped out on the Tokyo trip. While Mr. Fujikawa was gone for 4 days I wired this Zuisho from sun-up to sundown, trying my best to create the image I knew my Oyakata wanted. Of course when he returned he found a few minor details that I overlooked, but for the most part I got the thumbs up. Please enjoy!
For anyone interested, I’ve just posted my new website online so feel free to check it out. www.bjorvalabonsai.com
This past week we wrapped up the 28th annual Taikan-ten exhibition in Kyoto at Miyakomesse. The preparation that went into the event was enormous but was completely worth it as the show was incredible and the experience itself was unforgettable. I went with my oyakata, Mr. Fujikawa, to set up for the show on thursday Nov. 20th and spent the following five days in Kyoto working at the Fujikawa Kouka-en sales area. Of course there were plenty of influential and famous bonsai artists at the event, but for me the best part was finally getting to meet some of the other young apprentices from around Japan including Ken-san from Daiju-en and Sakurai-san and Matt Reel from Shinji Suzuki’s place in Nagano. Plus I got a serious behind-the-scenes look at how the entire event went down. By the end of the long weekend, I was completely exhausted but I’m already looking forward to next year. The following pictures from the nursery are a bit late, I know, but please enjoy and feel free to comment!
My largest project to date. Surprisingly, it only took 3 days to finish. The leaves are a bit leggy, but it’s still an interesting tree. The trunk is actually completely hollow and the live vein turned a nice red color when the bark was removed. Mr. Fujikawa suggested I wire the branches into smaller pads to give the tree a softer look, which I think worked out pretty well and makes it a bit more unique.
This tree is one of my favorites that I’ve worked on so far. When Mr. Fujikawa brought it back from an auction, most of the main branches already had wire on them, but as you can see it had yet to be styled. The first step was removing the bottom branches and changing the planting angle. We then guy wired the right side of the trunk to the left to make the entire tree more compact. Once Mr. Fujikawa was content with the overall direction, he let me go at it alone. After about 7 hours of arranging the larger branches, wiring the secondary growth and repotting, the tree finally took shape and I think it turned out alright. In the future, the low-hanging jin that’s touching the soil will be cut shorter and the guy wires pulled tighter to make the tree even more compact. But for now, that particular jin is keeping the tree stable. Feel free to comment and critique, thanks!
Working on Hakuryuu (the “White Dragon”) at Fujikawa Kouka-en
The weather has started changing here in Japan so the bonsai scene is picking up rapidly. Exhibition season starts in the fall and runs through late spring so we’re beginning to prep trees for the various shows around Japan. I’ve somehow managed to get one of the trees I styled into the Taikan-ten in Kyoto this november and another into the Sakufu-ten in Tokyo this december. I’ve posted a few new trees in the Before/After section and will be putting up more in the near future. If anyone reading this is planning to be in Kyoto this november for the Taikan-ten, please contact me either through this site or at bjornb7@juno.com I would be happy to meet up with anyone visiting Japan at that time!
Myself, Mr. Fujikawa, and a Gansekisho Black Pine
It’s been extremely hot here in Osaka these past few weeks so work has slowed down a bit, other than watering of course. Mr. Fujikawa recently came back from an auction in Mie Prefecture with a truckload of raw material, collected and field grown, for me to start working on. Summer isn’t the best time to be wiring trees, but Mr. Fujikawa tells me I need the practice, so I’ve been working non-stop on styling the new material. I posted several before and after shots in the gallery section listed above. Feel free to check those out and leave comments, thanks!
I’m not sure why this was deleted the first time around, but I’ll post it again. These are pics of a chuuhin Shimpaku Juniper I wired up this past week. Feel free to comment!
The Shimpaku before…
And after
Working on the tree at the nursery
Halfway through the 8-hour styling
Detail of the lower branches
One display option (Fujikawa didn’t go for it)
A second display option